After a over 4 weeks of not being able to sew, I’m finally back in action and have made Grainline’s Moss Mini Skirt. The above photo courtersy of TJ from The Perfect Nose, post a frenetic morning of Christmas shopping, humidity and an hour or so sitting in the car (turns out the fabric I used likes to crumple. *sigh*).
But before we get down to business – the consumables need to be thanked. I’d like to take a quick moment to think about all of the now bent pins, snapped needles and bobbin thread snags’n'snowballs that sacrificed themselves in order for me to complete this project.
Because my deep-seated need to own and wear something in a bottom weight army green canvas fabric was stronger than the stab of fright I got when the upholstery topstitching thread I’ve become such a fan of chewed up yet another bobbin. I should have taken photos of the three occasions this occured… but I felt guilty for my poor feather weight Janome so they got removed asap.
The fabric is a cotton canvas, from Tessuti, similar to the canvas I made my Baby It’s Cold Outside coat from, and the facing and pocket linings are leftover Liberty lovelyness from my Freddie Vest. The only thing I actually bought to make this was the pattern, matching thread, topstitching thread and a zipper – a total score for my fabric diet, which I’ve been on since mid-September. I’m on a mission to sew up stuff with what I already have, and barring the seriously freaking awesome Tessuti Silk Stash giveaway I won (whoohooo!!!), not a single scrap of fabric has crossed the chez poppykettle threshold since well before my birthday back in September (Kat, that fabric you ‘gave’ me is still sitting in the car – on purpose I might add! :P). I would like to claim responsibility for this, but really, my work & personal life has just been so NUTS recently that enjoyable things like drooling over fabric and then buying said fabric (maybe even a bit of sewing with said fabric?) have been pushed out of the schedule.
Call me a skank, but I totally shortened this mini-skirt. By a good 3 inches! I gave the skirt some little splits at the side for ease of getting in and out of the car and the like. I did my own shank button hammering, too – a first! I bought a huge pack of these off ebay when I was making my Turquoise Terror Jeans, but hadn’t had the guts to try. Like all things I’m scared about that are sewing related, I more than quickly realised I was being stupid. Really stupid. I want to hammer more shank metal buttons!
Lisa from Notes from a Mad Housewife totally inspired me to go a bright red button hole after seeing her winter coat creation. I’d say the honeymoon period with my Janome’s automatic button hole attachment is over though – it really struggled with the thick layers of fabric, and I’m still a bit miffed that this was the best result I got:
It’s a great little pattern, but I do have one major gripe. I get that the reason we love independant pattern company’s is because they do things differently to the big 4. That’s cool. But it’s not cool when you’re being different just to be annoying. Like, having 1/2 inch seam allowances? Come on guys – we have standards for a really good reason. I’m sure that 1/2 an inch is fine when you’re sewing up one of those lovely Tiny Pocket Tank‘s, but when you’re sewing up a pattern designed for denim, I automatically think “yeah, flat felled seams would be nice!”. You can do flat felled seams with a 1.5cm (5/8″) seam allowance – just. You can’t do flat felled seams with 1/2 inch seams. It doesnt even convert into metric measurements nicely. Luckily our good old friend Unnecessary Ease came to the party, so I was able to save the day and end up with 2cm seam allowances – the ideal amount for flat felled when sewing with a thicker fabric like canvas or denim, methinks.
Oh yeah, and that little square you use on printed out patterns to check the scale? It’s printed across two pages. Might wanna fix that up, Grainline!
**UPDATE – The lovely Jen from Grainline Studios has advised me that this has been fixed up :) Oh, and they will soon be offering printed patterns. Yay!
I managed to squeeze in an hour or two with TJ on Saturday who shared with me what she thinks is quite possibly the only copy of these books in this Great Southern Land. You heard it from me that they even smelt amazing.
Thanks to her University Library access priviledges, a copyright past its use by date and a super high-tech scanning system (couldn’t help myself TJ!), we should be able to convert this into a digital copy for our use. I use the term ’we’ loosely because my role in this is simply supplying a piece of glass. She’s going to be an absolute champ and do all the grunt work.
In other news – I’ve decided to start keeping a record of how long it takes me to complete the various ‘stages’ of sewing for each garment I make. Kinda like how some people record the cost of a finished item… but for me this will be a bit more scary than the $! So each finished thing I make will be accompanied by this little table – proof of how slow the process is I am!
00:45 Pattern Preparation
00:00 Toile (cutting/sewing/fitting)
00:50 Fabric Preparation (cutting/interfacing)