The Trouser. The Sequel.

Thanks for your input on my last trouser post – it was really fascinating hearing everyone’s thoughts and opinions. I don’t think I’ve had a pattern disaster quite this bad before! In the aftermath I’m left wondering if indeed my perception of fit has been overly influenced by a lifetime of badly fitting RTW clothing.

533b4695c81e5Jacques

Case in point – many of you mentioned that you could tell looking at this picture that the fit would be bad – mostly due to the way in which the side slant pockets stuck out and the pleat disappears. I’ll admit… that’s actually one of the things I like about this pattern, but I can’t explain why. I suspect it has something to do with spending the entirety of my teenage years wanting slighting bigger hips, and the optical illusion provided by those pants kinda delivers on that.

So, I turned to a variety of different resources to beef up my knowledge on pants fitting.

CRAFTSY
I logged in after what must have been two years to discover that at some point in the past I had bought the class ‘Pants Fitting Techniques’, by Sandra Betzina.

I watched the whole thing (for the first time) and it does have some excellent tips, if you don’t mind Sandra’s rather chaotic approach of explaining things, and that you already know what your areas for improvement are. There are some good descriptions of how to make changes based on your desired improvement, however what I really wanted was a before shot showing the issue, and then the correction. Visual learner here. Notwithstanding, for the small price point you pay, there’s some really useful information in this course that shows you how to adjust without delving into depth the reasons why you need to adjust (at least, beyond saying ‘because of protruding thighs).

KENNETH KING’S SMART FITTING DVD
Another recommendation left in the comments of my last post was this. I haven’t got it, but it’s something I’d maybe consider adding to my wishlist.

KENNETH KING’S TROUSER DRAFT DVD
This, I now have – and what a gem it is. I borrowed it from someone and ended up buying my own copy. He not only takes you through a very logical, easy to comprehend set of reasons why a particular adjustment is required, but shows the symptoms of the issue and the fix. I totally got his reasoning and I honestly think it’s going to change the way I look at fitting. Something about the way he describes ‘net loss and net gain’ just made my brain click all the missing puzzle pieces together – best US$25 I’ve ever spent. It also includes a detailed method and formula to draft your own pants block from scratch using the French Method. I did attempt to do this, but vowed to come back and revisit my numbers/calcs after a break because my pants draft looked really, really wrong. I must have an incorrect calculation in there somewhere, which just compounded the problem.

SO WHAT HAVE I BEEN UP TO SINCE?
I tried on Jacques again. And holy crap I must have been having a fat day of epic proportions previously, because they fit. I’ve got no explanation for that, especially as I tried them on multiple times previously.

I really, really want a pair of slim fitting trousers. Something a bit Brigitte Bardot-ish.

Brigitte Bardot

So with my new found knowledge of net loss and net gain all thanks to Kenneth, I spent several hours in front of the mirror, straining my neck and bending down to pin and back up again to check. His e-book does contain a lot of fitting information and solves, but nothing on the lower half of the legs.

Unaltered side view

Unadjusted side view

Adjusted side view

Adjusted side view

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I did initially attempt a ‘hyper extended calf adjustment’, as per what Cation Designs describes in her (really excellent) pants pattern alteration post, but preferred what I did above.

My legs aren’t straight – they curve outwards quite substantially at the knee. What I really wanted to see was how pinning out these pants to match my leg shape would translate into 2D. I was rather disturbed after unpicking everything, it looked… ugly. Not the lovely straight lines we’re accustomed to seeing from a sewing pattern! The yellow lines are the original pattern lines, the orange is where I’ve pinned out excess and the black is the final line where I’ve taken out the excess in a vertical dart.

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I then sewed my muslin back together again, this time along the new seam lines I’d marked, to see how it fit. I knew I’d still need to mark new side seam lines as they’re quite crooked in the photos above, but the moment of truth would be in how they looked now I’d been playing around with them a lot…

I’ve also sewn on the waist band here – it’s far too tight, I know. I may still grade up the waistband 2 additional sizes and see how the proportions sit then, but I think it’s unlikely you’ll ever see a finished version of these pants.

But I am really quite happy with the progress I’ve made on a slim leg!

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Waistband is too tight. Something… ?? …. is going on at the crotch. But the both legs looks good!

The side that has not been tampered with. I've noticed when I 'lock' my knees back, I get the drag lines going on.

The side that has not been tampered with. I’ve noticed when I ‘lock’ my knees back, I get the drag lines going on. These photos have made me realise that I actually quite like the leg of this pattern now. How fickle!

The tampered side.

The tampered side.

I have the waistband pinned where it's folded over because I quite like the proportions of that depth of waist band on me. It's still too tight between the waistband and pants though. Oh, and looks like I needed that hyperextended calf alteration after all.

I have the waistband pinned where it’s folded over because I quite like the proportions of that depth of waist band on me. It’s still too tight between the waistband and pants though. Oh, and looks like I needed a hyperextended calf alteration afterall.

What I’ve taken an incredibly long time and huge amount of futzing to figure out – is that I need a ‘knock-knee alteration’. I guess the benefit of taking the long way to find that out is I know exactly how knock-kneed I am. Cindy from Cation Designs has an amazingly informative post on this alteration and a stack of others (including the hyperextended calf alteration) – definitely recommended reading.

What I have veered away from is making a comfortable trouser suitable for the office environment. I can see myself wearing these (very close fitting) pants made up in a floral cotton pique on a warm spring day, but they really are too tight for the office. Time to get back on brief!

A PANTS FITTING CLASS
Then, Oanh invited me to join her in a pants fitting class she was taking. It wasn’t quite what we thought it was (which was a trouser drafting course), but after a few short hours, I had a rather well fitting, high waisted wide leg trouser outline.

The Front

The Front. One leg has been tapered a little. Ok, maybe a lot. Also, the rise is higher than my natural waist.

The Back

The Back. Nothing like a horrid muslin photograph to accentuate my lack of hip curve. le sigh.

The Side

The Side

They’re comfortable. Really comfortable! The kind of comfortable that I could spend anywhere between 8 and 12 hours straight sitting in – which means they pass the office-suitable test. They look good in the mirror. The fit even looks perfect on camera!!!

So why do I feel so ridiculously dowdy in them?

That’s something I think I’m just going to have to get over – because those muslin photo aren’t lying.

So I’m going to sew up a wearable muslin from a fabric I don’t mind sacrificing to this cause (which will be a wool crepe), which means I can effectively test drive how the style would work for me. I would like your opinions on a waistband treatment though:

1. A really wide waistband so I can work in the slanted pockets still (this is not a pair of pants I’d feel comfortable tucking my shirt into, so it would be covered. That way I’d still get the ‘look’ of hip height pants, but with the comfort of waist height.)

2. A facing and no front pockets?

3. A picked zip at the side seam, or a centre back invisible zip?

I await your advice!

The Trouser.

Say that with the accent and delivery style of May – one of the judges from the Great British Sewing Bee – ok?

So at the beginning of July my working situation changed a little bit (this is a good thing!). Even though it’s immaterial to this little sewing space, that change was enough to get me (re)thinking about the clothes I drag out of my closet on weekdays. Ever heard the expression ‘dress for the position you want, not the position you’re in’? Yep. So I’m turning my sewing sights on trying to perk up my work wardrobe a little.

I’m almost recovered from my last pants sewing effort to attempt them again – as my legs and arms must be covered in the work place regardless (it’s a construction/operations site safety thing). I’ve always preferred skirts in the office, but it’s a general rule that no matter how fabulous your skirt, it will always look terrible with steel cap boots.

On the 9th of June, I ordered these – the Jacques Pantalons, from Republique du Chiffon:

I received them on the 1st of July – which seemed synchronous, that being the first day I started my new role. I even had a little impromptu postage race with Puu’s Door of Time who also bought this pattern… although even with a 1 day handicap start, I lost by 4 days. Not bad really, when you live in a city Jerry Seinfeld once described as the ‘anus of the world’. Personally I think that honour should belong to Hobart, but hey.

This pattern has been made up by three lovely and leggy French ladies – Jolies Bobines, Les Trucs de Tatihou, and my personal favourite pair by Cosy Little World. So how would they look on a definitely-not-leggy, non-French lady that tends a little closer to stocky than lanky?

This is them in their muslined glory, unaltered in any way. It was my second muslin. (You’ll have to pardon the blurry-ness):

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Capri pants and I were never meant to be friends in the length department. Ignoring of course that I’ve pinned them up unevenly… these pants are too small. The pleat detail is completely lost, I can’t get the two front seams to meet, and the side pockets are straining open due to the lack of ease.

The ease issue starts pretty much at the crotch, and gets exponentially worse the closer to the waistband seam you get.

You can see I’ve drawn the grainline of each of the four leg pieces – I can’t confirm if this is actually the case, but I would think that a properly fitted pair of pants would see the grainline perpendicular to the floor all the way along. I’ve ordered a few books on pants fitting as I really feel the need to beef my knowledge up in this area.

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I like this photo because it makes it seem like I actually have a bum.

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Aaaand I finally got the focus right, fourth time lucky.

Firstly – lets talk size. My Waist and Hips exactly matched the measurements for the size 42 – so that’s what I cut. You can see in the pictures above I can’t actually get the front seams to meet to do them up.

I double checked the instructions to see if I did the right thing – it says quite clearly (albiet in French) to measure yourself nekkid and then compare it to the table. Which is what I did. So I double checked my measurements, nekkid. Nope, still the same. Lastly, I double checked to see if the pattern pieces I traced off were the correct size. They were.

Pretty simply, that’s a big f*** up, Republic du Chiffon.

 

 

Once I had the chance to blow off that little bit of steam, I returned to thinking logically and reasonably. There is one explanation for why this didn’t work out for me – the rate of change between my hip and waist measurement is vastly different to that used by RdC’s design fit. A diagram shows it best:

Me (left) vs RdC (right)

Me (left) vs RdC (right)

I know I’m long in the body – both above and below the waist. I also know that one of the main reason’s I sew is to have clothes that actually fit me. Once again I’m reminded of the fact that patterns are just a starting point along the way – I can’t expect them to fit me out of the packet any more than I would expect a RTW piece of clothing to fit me off the rack. Knowing all of this doesn’t stop me from throwing a tanty when it doesn’t go right, but.

So let’s talk about my second Jacques-related tanty. Let me make it clear to those not in the know, that this pattern DOES NOT have seam allowances. I found this out about 5 seconds after I finished cutting my first (and now discarded) muslin out.

” Les marges de couture ne sont pas incluses sur le patron”.

I didn’t even need to type that into Google translate before that sinking feeling set in… Entirely my fault though.

Other disappointments? The back dart is very definitely not in the centre of the welt pocket location. I’m usually one to like a bit of imperfecion though, so I’ll leave it be.

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I tried out a new thing with welt pockets though – the faux piping at the bottom – and I’m liking it a lot!

So now… do I bother trying to make them fit, or dump them and try something else?

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S1302: Mix’n’Match Tofino’s

Time for something easy to sew, thank you very much – there was a time not so very long ago I thought that if I even sewed a cushion cover in the next year, that would be too much, too soon. Couture techniques and hand sewing have been (temporarily) banished from the realm… and lets not even talk about this new law being 1 garment too late!

These are the Sewaholic Tofino pj pants, and there were gasps of shock at Social Sewing when I asked to use one of several overlockers hauled to GJs for sewing with on the day…. I’d honestly forgotten such a machine even exists!

Sewaholic Tofino 6

Sewaholic Tofino 7

Sewaholic Tofino 8

Sewaholic Tofino 9

I’ve got a fair bit of Liberty in my stash, but criminally – I’ve yet to sew with hardly any of it. I got these gorgeous prints from Mill Rose in Ballan – they have easily the biggest range of Liberty I’ve EVER seen in person. They have virtually every print, in every colour way, on the shelf and readily available for petting. It’s worthy of a bit of hyperventilation. The front tie and the piping are from silk satin from the stash – there was the perfect amount of silk leftover from the cuffs on my silk robe, which matched wonderfully.

Crazy how here the silk looks like a dirty yellow... but more lime green on my robe!

I absolutely adore this print/colour combo. Crazy how here the silk looks like a dirty yellow… but more lime green on my robe!

Were it not for the fact that Sewaholic patterns are designed for a body shape that I’m very definitely not, that would probably be the end of this post. However, there was two full sizes between my hip and waist measurements. Really, I should have just bought a Vogue/McCalls pj pattern, but hey – I got caught up in the hype back when this was released and bought this against my better judgment. I’m sure I’m not the only person to have ever done that…

So because old habits die really, really hard (or in my case, not at all) – I wearable muslined them in a super cute cherry blossom print flannelette, with pink piping. Here they are, in a straight size 8 which according to the Sewaholic Size Table, I match from the hips down (I measured a 12 at the waist):

Sewaholic Tofino 4  Sewaholic Tofino 5

Desperate need for a Flat Butt Adjustment going on there. I think that photo just put to bed my life long dream of being a professional pyjama-bottom modeller!!! hehe.

Ahem. For my liking there is way too much baggy space at the back, and the wide-leg just a tad too wide for my shape.

So a few adjustments were in order.
– I shortened the leg length by a ridiculous number of inches (I did that before I cut the flannelette ones)
– I removed the widening taper of the side panel, so they are straight up and down (rather than getting slightly larger towards the ankle)
– I reduced leg width by taking out fabric from the seam between the side panel and the pants back… around about 4 inches all up. Probably about an inch too much, really. This simultaneously made the leg a little slimmer and fixed my need for a Flat Butt Adjustment.

Sewaholic Tofino 12 Sewaholic Tofino 13 Sewaholic Tofino 14

Confession time – so I may have lied a little about the overlocker thing. I overlocked the side seams of my cutesy flannelette pj pants… but I totally frenched the seams on my liberty pj pants. Guilty as charged.

I did a quick test on some scraps to make sure it would work with the piping in it – no dramas there so I moved on. It should be stated that making your own piping is boring prospect. I’d buy over DIY if you can!

Sewaholic Tofino 3

I think the amount of rise on these pants is just about perfect.

The instructions would have you tie your tie around the two non-functional button holes sewn into the waist band. I reinforced my buttonhole then ended up sewing the silk tie to that reinforced section so it can’t be lost in the wash.

Sewaholic Tofino 2

If I were to make these again, I would not sew the two tie pieces together, and instead sew them to my waistband reinforcing on the opposite side of the buttonhole… so there is zero strain on the buttonhole, like you see below. It’s a pretty long tie and has a surprising amount of weight to it.

Sewaholic Tofino 10

Otherwise, I now have three perfectly good pairs of lounge-about-the-house pants, doubling as pyjama pants when I need to stay overnight somewhere. Because I’m one of those people that would rather take the risk of getting caught out if there’s ever an emergency in the middle of the night…

P1003 & P1004: Plenty of Papercuts

After an extremely challenging start to this year and having nurtured some pretty bad habits as a means of dealing with it all, I’ve found myself a victim of mid-section blow-out and general blergh-ness (If you only click one link in this post, make it that one. Hilarious!). What better way to get back to being better than with some new exercise gear?

Unfortunately, photographing exercise gear is not exactly glamourous. Weather and minimal daylight hours have conspired against me at every opportunity for photos… I’ve been running and weight training in this outfit for nearly a month already! Count yourselves lucky it’s still mid-winter here so sweat is kept to a minimum…

Enter the Ooh La Leggings:

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And they are awesome.

As with any new pattern, I started with some recon over at Pattern Review. Kbenco has written one of the most informative reviews I’ve ever read, Katherine wrote fabulously about them too and of course, Melissa has sewn so many of these I can hardly cry for lack of inspiration.

Lucky me – I exactly matched the waist and hip measurements for the Size S. So I traced it off, cut it out, then machine basted it all together to see what was going on. This pattern has zero info on the amount of stretch your fabric of choice should have – and recommends a merino knit. Hmm. The basting was to test size, fit and fabric appropriateness. The second I pulled them on – a triumphant ‘YES!!!!’. They fit me fabulously*. Long legged peoples, Rejoice! This is a pattern for you! Sadly, I will not be rejoicing:

This is what a pair of leggings look like when they are 21cm too long for you.

This is what a pair of leggings look like when they are 21cm too long for you.

But hey, this is a standard adjustment for me. About the only time I don’t have to take pants up is if they began life as pedal pushers. I chose to use Melissa’s way of sewing in an elastic waistband – the pattern instructions do the old-fashioned ‘make a casing and thread your elastic through’ way. Yeah – no thanks, that never looks good!

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At first I made the elastic waaaaay too tight (like, bayonet tight!) so after unpicking that and making it a little bigger, I was good to go. Also, somewhere between the basting for fit and the actual sewing, I added in a turquoise band at the curved seam at the hips. Once finished, I quite literally pulled them on and went for a run.

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I will absolutely be making more of these in the future! Not being in possession of a coverstitch machine or an overlocker, I was worried about the seams being either irritating or uncomfortable. I’ve been exercising in these 4+ times a week for nearly a month now (yeah, I’m that far behind documenting finished makes!), and no dramas so far – but the fabric I used is really quite lightweight, and hey – it’s not exactly like I’m training for a marathon or anything.

Completely unintentionally, I sewed the side panels in reverse, and as the black fabric was shiny on one side and matt on the other, it created an effect I rather like. Here are some daring shots up close:

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I also made the Undercover Hood, the version of which you see here is my first attempt – very definitely a wearble muslin made with a double-sided wool/nylon blend (from New Zealand Merino and Fabrics). I cut the straight M as it was bang on my bust measurement, and was pleasantly surprised as how quickly it came together. But wow – its long! Usually I have to lengthen bodices, but this time I’ll be shortening it a bit and grading down to an S at the waist and hips (the S matches those bottom two measurements for me). The sleeves are also very long… I actually ended up leaving the cuffs off on this because a) The sleeve would have gone past my finger tips in that case and b) I sewed the cuffs on-grain by accident leaving them with no stretch for me to ease the sleeve into. Unpicking lightning stitch on knits is NOT fun! So I finished it with a twin needle. The result is a half-fitted, half-baggy rather long sweat top great for wearing to/from the gym and running in the chill evening air:

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Silly me cut the pocket out in two pieces, rather than on the fold. Oops! Next time I’ll be taking it up the length of the waistband, to get this length:

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It’s comfortable, warm and lightweight – but if I wanted to convert this from being sloppy-at-home-wear-only to something I could do the supermarket shop in, merino knit wouldn’t be my first choice. A terry-towling/sweatshirt fleece would be great for this, like what Zo made hers from. Additionally, the instructions call for the front pockets to be just top-stitched on – making it a little flimsy. I’d be tempted to at least understitch the topside first to anchor it down. Minor construction quibbles for what is an entirely practical top, really.

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*  bar some standard adjustments, naturally.

The Ooh La Leggings Stats:
00:30  Pattern Preparation
00:00  Toile (cutting/sewing/fitting)
00:30  Fabric Preparation (cutting/basting/interfacing)
02:20  Sewing
03:20  hours
Fabric Utilisation = 1.0m (only because I committed the cardinal sin of not laying pattern pieces out directionally)

The Undercover Hood Stats:
00:30  Pattern Preparation
02:55  Toile (cutting/sewing/fitting)
00:00  Fabric Preparation (cutting/basting/interfacing)
00:00  Sewing
03:25  hours

Fabric Utilisation = 1.8m
Stash total remains = 80.9m (Goal = 50m)

P1003 & P1004: Hi-tech Fabric

I don’t know if anyone else has noticed, but in the last decade of so fabric technology appears to have developed in leaps and bounds. These days there are all kinds of sports-related garments with hi-tech fabrics spruiking various benefits, from the moisture-wicking quick-dry standard gym fare we probably all have, to compression undergarments designed to decrease muscle fatigue and aid in recovery. Or just suck in your gut, like spanx.

Mr poppykettle competing in the Shepparton Half Iron Man, 2012

Mr poppykettle competing in the Shepparton Half Iron Man, 2012

Open any of the cupboards at chez poppykettle and you will find all these things and more – and not just because I enjoy a bit of gut-sucking-in action, but because Mr poppykettle’s hobby is competeing in triathalons and IronMan competitions (he even has a wet-suit that purports to increase buoyancy by up to 40%, thus allowing you to ‘save’ your legs for the ride and run segments). The pictures above and below are him during his first and second 70.3‘s. A little gloating if you don’t mind – he completed last years competition (a 1.9km/1.2mile swim, 90km/56mile bike ride and then a half marathon – 21km/13.1mile run) in 4 hours and 22 minutes – just missing out on a podium finish by coming 4th in his age group, and 41st overall out of nearly 1400 competitors. Proud much? Just a bit! Unfortunately due to a stress fracture injury he’s had to pull out of his events this year, but still.

2011 Half IronMan

2011 Shepparton 70.3/Half IronMan

For me though, fabric technology began back in 1935 with the creation of Nylon. Like most fabric developments since its time, it was originally a military innovation. The thermoplastic polymers that make up nylon give it a ‘silky’ and smooth texture, and Nylon was designed as a replacement for silk which was scarce following the end of WWII. Likewise, viscose rayon, polyester and other synthetic fibres were also designed to mimic their natural counterparts.

Image via allposters.com

Image via allposters.com

Side tracking yet again – Nylon was first used for fishing line and toothbrush bristles – but ask anyone what you associate with Nylon and undoubtably the answer will be stockings! The original stockings made from Nylon were so strong and durable that they could be used to tow a trailer behind a car. In my world, that is just pure awesome. They were obviously a big hit with women as no longer did our fore-sisters have to worry about runs and holes appearing. Of course, this also meant that manufacturer’s weren’t selling as many units, because Nylon stockings lasted so much longer than their predecessors made from silk, wool and cotton. Big Industry sent their engineers back to the drawing board to decrease the life of nylon stockings – and so this product became the second documented instance of the manufacturing phenomenon called ‘planned obsolescence‘ – where products are engineered to fail. (The first was the humble incandescent globe – check out this info on the Pheobus Cartel if you’re up for a bit of conspiracy theory).

So the next time your $14 pair of Levante‘s ladder, tear or rip – you’ll know who to curse. Your friendly neighbourhood engineer.

nylon-1940sears

But marketing of fibres has of course moved on from stockings to sports fabrics that combine the technologies developed in the 20th century, and now it’s the turn of the high end stuff to get the high-tech treatment. ZZegna (the younger, more fashion-forward brother to Ermenegildo Zegna) has been including some pretty cool fibre innovations in his collections, like Microsphere – with which you can wipe off those pesky wine and mustard stains at the swipe of a damp cloth. Giotto New-Gen (an Aussie brand) have applied the slip slop slap mentality to their fabrics, launching Cold Black – a “special finishing technology for textiles which reduces heat build up and provides reliable protection from UV rays”. Presumably this will make wearing your favourite tux on a warm summers evening feel like you’re really just wearing a seersucker suit.

Or this rain jacket from ZZegna‘s Autumn 2013 Menswear collection which sports rubber bonded onto wool garbadine to keep your beau warm and dry:

via style.com

via style.com

Then you’ve got the flip side of fibre technology mixing with recycling – Sax Altman makes chino’s (Repreve) from cotton interwoven with recycled plastic bottle polymer strands; although this would help offset the rising cost of cotton I doubt you’d end up saving much. You’ve also got fashion houses like Martin Margiela perhaps taking the fabric/recycling cross over to the extreme – with this jacket made from recycled polyethylene garbage bags:

Many thanks to the article bty David Waters in the Qantas magazine for bringing these designs and fabulous fibres to my attention. But really, there hasn’t been to the best of my knowledge any new commercially significant developments in fabric since nylon, lycra and maybe kevlar. Actually, one day I’d really like to sew something out of kevlar. A wicked-ass biker jacket would be totally appropos made from kevlar! What we’re seeing here in sports gear and rubber rain jackets isn’t actually new, it’s just taking already existing technologies and combining them together to get the next evolution. Kinda like mixing chocolate, caramel and salt (all equally delicious in their own right) to get the mouthwatering creation of salted chocolate caramel. The whole is greater than the sum of its parts?

via mushitza

via mushitza

…. Sorry, I got distracted thinking about salted chocolate caramel for a minute there.

But I’m here today to talk about sports fabrics. Because these innovations have trickled their way down into our fabric stores and even though I don’t spend upwards of 25 hours a week training like my beau, I’m not a complete couch potato either (well… maybe sometimes) – I’m in the market to make some gym clothes – I’m sure I can’t be the only one suffering with ill-fitting sports gear?

I’ve got my eyes on New Zealand’s Papercut Patterns: the Ooh La Leggings and the Undercover Hood.

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I’ve been looking high and low (not really, just googling from the comfort of my couch) for some high tech fabric I can get my hands on to make the leggings with, ending up with some 80% Nylon 20% Lycra black and turquoise fabric that looks and feels identical to the fabric my current Nike gym pants are made from, and some pink, grey and black striped unknown fabric with good recovery from a mystery bolt at Trimmings and Remnants.

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And some gorgeous textured blue merino wool/lycra blend from New Zealand Merino and Fabrics for the hoodie:

wool lycra blend fabric

Because hey, you can fiddle with fibre as much as you like but as far as I’m concerned, wool will always be the ultimate in high performance – and you don’t need a lab to create it. It’s renewable too! Keeps you cool in summer, warm in winter, sheds water to a degree (even if you do end up smelling like a wet dog) and most importantly to me – is breathable.