I can’t think of a better way to start the year than with a class with Susan Khalje. Apart from already being part way through 2 dresses and 2 toiles thanks to a bit of sewing time over the Christmas break…
After last years French Jacket and pants output, I really wanted to work on a blazer with a stepped collar. Of all the things I feel lacking in confidence in, it’s a tailored collar – I watched 3 ladies in last years class sew up Vogue 8333 with amazing results. Getting back into tailoring is something I’d really like to do, once the basics of my work wardrobe (skirts/shirts… maybe some more pants) is filled in. And not just because I have a plastic tub full of gorgeous, gorgeous wools I’m dying to work with!
I’ve actually got two jacket UFO’s lurking in a box somewhere – both of which have stalled at the collar. It used to be sleeves and collars that I struggled with – but I feel that between the couture method of sewing with the seam lines and the French Jacket classes I’ve done, that this is not something I stumble over anymore. Practice really does build that confidence.
The last jacket I finished – my GGQB blazer – has various ‘flaws’ that I now know I could prevent from occurring thanks to being further down the learning curve, but the collar is one that still stares unrelenting at me every time I pull it out of the cupboard. And that raw silk it’s made out of is starting to discolour, unfortunately, so I don’t know how much longer it will be in rotation for. The other jacket that still gets a lot of wear is my Vogue Suit jacket, but that’s a total cheats collar in a lovely drape-y wool, so no issues there!
I’ve spent most of 2017 convinced I would work with Marfy 3635, from the 2015/2016 catalogue (also on their website, here):
Basically a ‘Classic fitted single breasted jacket with lapel collar and insert pockets with pocket flaps’. Sandra has sewn this up just recently and it looks as you would expect – pretty darn good! I was super pleased to finally meet Sandra (who flew over from NZ for the course) after following her on Insta for forever, as she’s also a regular sewist of Marfy’s :)
I figured if I went in at the deep end with a wool suiting that leaves no-where to hide, then coming back and sewing some blazers on my own in more forgiving fabrics won’t seem so intimidating.
And I have this Ermenegildo Zegna wool suiting (from Joel and Sons), in a taupe and blue-grey large check that I would really love to see realised:
But over the last few months with all the shirt sewing I’ve been doing… thinking about my personal style… and how Susan’s softer approach to tailoring works, I’ve decided to go a different route at the last minute, saving that for later on when I can perhaps learn more about traditional tailoring, rather than the soft tailoring that couture leans towards. I’m talking the whole horsehair interfacing, pad stitching and everything.
And to be honest, I probably need to do some ‘wearable muslin’ tailored jacket work just so I can practice and – build up the confidence.
So, rifling through my pattern stash, I found myself still holding F9814, which was a pattern I received as part of the very first Marfy order I placed (from the BMV website, as this was before Marfy had an english website and well before I ever had a catalogue!). A quick search in my email tells me this was back in early 2012!
This is the pattern I hacked the sleeve from to make last years French Jacket (my Octopus’ Garden Jacket):
It has a really cool standup collar that is cut as part of the front bodice, which should aid in simplifying the construction process/time – handy as I’d really like to also sew up a matching pencil skirt to make it a skirt suit. It’s highly unlikely I’ll get both items done, but I’m hoping I’ll at least be able to have the skirt fitted…
It’s a very fitted jacket (which I like) and I swear I bought it in my usual size 46 (I keep meaning to check, but haven’t yet got around to it), but the muslin is definitely too small!! I can’t get it to meet at the front.
I’ve then spent a week mulling over three different fabric options I had in my stash – narrowing it down to a really cool 3D cotton-rayon-and-something-else tweed from my stash – in pale peachy pink and cream. It has something small and reflective included in the weave, which is woven into a mini hexagon pattern:
It’s from iTessile on Etsy – she carries a ridiculous amount of fabric that I want to own!
The other two options was a cream wool with bright bursts of colourful wool highlights that reminds me a bit of the 100’s & 1000’s on fairy bread, and a blue and grey wool check with a matching solid wool, both from Stitches to Style. I’m thinking I’ll make another version of F9814 in one of these wools this coming winter, but with a long sleeve to differentiate it a little.
I’ve said it before probably several times… but watching Susan fit everyone is just fascinating viewing. You learn so much.
Here are a few things the others are working on! There were some really ambitious projects this year which were fascinating to watch come together – with Ros working on replicating a Roland Mouret dress in a three-way scuba crepe knit – for which we are all pretty convinced she found the actual fabric the real thing was made from – here is her daughter in the almost complete version at the end of the 6 Days:
And Tatyana re-creating Dior’s ‘Abandon’ Dress in black silk taffeta. This dress is from the Fall 1948-1949 collection. After being able to see the Dior Exhibition at the NGV last year, I’m so in love with all things Dior right now – how well does it translate, 3/4 of a century later?!? Tatyana said she’s been wanting to recreate this dress for many years, so it was wonderful to see her bring it to fruition:
Most of the time was spent working on drafting the collar to get the proportions right… it was a tough job from where I was sitting!
I was also really thrilled to be able to meet Sandra (from New Zealand) who I’ve followed on Instagram for a long time – as she’s also a lover of Marfy patterns. She worked on Marfy 3507 – a coat dress – I think you’ll agree it looks bloody great:
And Margie – who I met at my very first class with Susan in Baltimore – is replicating this St George tweed dress:
Me? Well I was absolutely on fire the whole week and had my jacket entirely finished bar lining at the end of the second last day. Absolutely killed it.
I started work on a matching skirt on the last day.
It’ll probably be while before I finish it – we’re all familiar with the psychology of sewing – I find a week of intensive sewing on a new project to be quite overwhelming – and to be honest I’m a little sick of the sight of my jacket right now! Plus, the weather is currently hot hot hot and the jacket is very warm…. so I’ll be going back to finishing off those summer dresses for the moment :)
Final installment to follow in a month or three…