I had forgotten how quickly a simple 5 pattern piece garment can come together…. and is there anything more frivolously fun than sewing a dress for a special occasion? I savoured making this dress, as this wedding I wore it too is probably the last I’ll get to attend for a very long time.
The dress is Marfy 3453 – a fairly simple fit and flare sleeveless dress. The bodice has two darts, a v-neckline at the rear, centreback zip and evenly spaced pleats in the skirt. I think what I love most about simple patterns is that they really allow your fabric to shine.
I had wholly intended on sewing this dress ‘as it is’, but I quickly discovered that a 2 dart bodice on me just looks not-nice. Perhaps its the ratio between my bust and my waist? So I converted it to a four dart bodice. This was the only fit adjustment I made.
Also, I had wanted to use the lace border detail on my fabric around the hem, which meant I replaced the pleated A-line skirt with a simple dirndl. I was a little sad about this as the A-line looked great in my muslin, if a little long. I don’t have the amazonian length pins Marfy designs for!
Although… I’m very close to a tipping point for preferring a pencil skirt over a voluminous skirt. I’m not there yet, but can see it looming on the horizon. I can see myself wearing this particular dress in my later years as a fitted sheath style, which would be quite easy to achieve.
I decided to prewash the fabric, so I could launder the dress myself instead of having it dry cleaned. As soon as I dipped it in water – it STANK. Thanks to an instagram conversation, I was informed that sometimes silk does stink, and it has to do with a gum residue the silk worms leave behind called ‘sericin’. The less processed the silk is, the more likely it to smell, apparently. I was then informed by a google search that you can just keep washing it until it comes out, which it did. Thank goodness.
The fabric is an incredibly pale pink, very slubby raw silk – not a fabric type I’ve worked with before. It also had floral embroidered circular cutouts as a border detail in a 1.1m long repeat. The fibres that came off the cut edges of the fabric are wonderfully fuzzy, thick and incredibly soft:
The dress is underlined (organza) to give the fabric some more body, and lined at the bodice in a matching but slightly darker silk charmuese that was also used as the contrast trim around the neckline and waist. This was a stash fabric that just happened to look rather lovely against the raw silk.
Whilst sewing I kept the seam allowances large – I want it to be a wearable option for many years to come, so I look at those seam allowances like an insurance policy. You don’t intend on using it of course, but it’s there just in case it’s needed.
I wanted to try and work in a bit of the embroidery into the bodice, so I appliqued a small lace circle in. Cutting into the bodice fabric to do this was a moment of terror; not having appliqued before! I treated it a bit like a welt pocket – sewing a scrap of organza onto the front with my machine’s smallest stitch, cutting into the circle then turning the organza to the wrong side and ironing flat. Getting the circle to be the right size was the hardest part – it took me two goes. After that I hand sewed the lace circle in with a fell stitch and pressed again. Pretty happy with how it looks!
The skirt is one single piece of fabric, gathered. I was basing the length of the skirt off one of my most favourite dresses – and realised that the height of the cutouts would potentially make my underwear visible… so I added in an additional layer of organza. If you looked really close and really hard, and if I had fluoro underwear on, you’d probably be able to see it. Eh.
I had a first attempt at lace matching down the back centre seam, and am very happy with the results. The main challenge was that the circles were not perfectly circular.
For the hem, I folded it over, sewed it down to itself, then catch stitched that to the underlining. The result is a soft hem that has a tendency to crease in on itself, but I don’t mind the effect so much. Even with the underlining, the raw silk isn’t really interested in being pressed – it will hold the shape, but it won’t be crisp.
Due to wanting this dress to be easily adjustable, I machine sewed the lining to the neckline, but hand sewed the arms, down the sides and around the waist. I like hand sewing, and it’ll be really easy to unpick. I also just love the loft of silk charmeuse, and hand sewn seams seem to bring that out.
Look at that loft… The most accurate representation of the two colours together. And you get a really good eye of the texture of the raw silk! Delicious stuff.
I included a hook and eye at the top of the centre back seam, to get a nice closure. At the wedding I wore this dress to, I counted 6 women wearing dresses that the centre back zip was coming down on because there was no hardware to help provide that stability at the back. Funnily enough, they all were on either rounded or V-shaped dress backs. I pointed out so many to my beau that even he started to point them out and was tut-tutting along with me.
Basically a happily ever after.
And on that note, I will be leaving a radio silence until we have moved and made our new home slightly more liveable than what it currently is. My sewing stuff is already packed away in boxes, and I’m feeling quite sad knowing it will be a while before it sees daylight again. I will be looking forward to finishing and then sharing with you all the two jackets I have in mid-progress from winter last year!